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ParisLa WalkyrieNew production
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Wagner: Die Walküre
Pablo Heras-Casado; Calixto Bieito; Opéra national de Paris; Rebecca Ringst; Ingo Krügler; Michael Bauer; Orchestre de l'Opéra national de Paris
ParisHèctor Parra | Orgia
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Parra: Orgia
Pierre Bleuse; Calixto Bieito; Ensemble intercontemporain; Claudia Boyle; Jenny Daviet; Leigh Melrose
ParisSequenze
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Berio
Calixto Bieito; Soloists from the Ensemble Intercontemporain; Jenny Daviet
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Calixto Bieito’s Idomeneo runs out of time in Prague
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At the Prague State Opera, Calixto Brieito relocates Mozart's opera seria to modern times, with disastrous results.
Calixto Bieito’s Zelmira opens the Rossini Opera Festival
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A production where vocal brilliance battles directorial gimmicks in Pesaro, with a superb cast led by Anastasia Bartoli and Lawrence Brownlee.
A bleak Jenůfa from Calixto Bieito
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The director drains the life out of an impassioned opera with a staging devoid of authenticity and ideas.
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ParisThe Exterminating AngelNew production
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Adès: The Exterminating Angel
Thomas Adès; Calixto Bieito; Opéra national de Paris; Courtney Lewis; Anna-Sofia Kirsch; Ingo Krügler; Reinhard Traub
ParisCarmenNew production

Bizet: Carmen
Sir Mark Elder; Calixto Bieito; Opéra national de Paris; Alfons Flores; Mercè Paloma; Alberto Rodríguez Vega; Orchestre de l'Opéra national de Paris
ParisSimon Boccanegra

Verdi: Simon Boccanegra
Fabio Luisi; Calixto Bieito; Opéra national de Paris; Susanne Gschwender; Ingo Krügler; Michael Bauer; Orchestre de l'Opéra national de Paris
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Anarchy and utopia: Calixto Bieito on directing Mussorgsky
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The iconoclastic Spanish director talks about a new production of Mussorgsky’s Khovanshchina in Geneva – and the messy, anarchic, utopian struggle of directing opera.
Budapest pulls out all the stops: the new Hungarian State Opera season
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The vast 2023–24 season at Budapest boast 41 different operas and 19 ballets – with new productions of Boris Godunov, Rusalka, ballets by Bartók, and a world premiere from Peter Eötvös.
Opéra de Paris' Alexander Neef: Survival comes first
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The director of the Opéra de Paris looks back on his early assumption of his post and on how his institution has organised itself during the crisis, before outlining plans for the coming seasons.
