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Elektra in Bologna
A pure and intense evening of music, which deserved the warm ovation of the audience at the end of the execution.
Hope, tragedy and redemption: the Accademia Nazionale di Santa Cecilia at Royal Festival Hall
Tony Pappano’s recipe for a concert programme: take a 20th century Italian one act opera, follow it with a romantic symphony chopped in half, then throw in a related German aria; play without a break. It may sound like a train wreck in the making, but the result was a triumph.