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Comedy falls flat in ENO's season opening Cinderella

Julia Burbach and her designer, Herbert Murauer, are defeated by the wide canyons of the Coliseum stage in their modern-dress Cinderella.
Undernourished: ENO’s Bohème revival lacks red meat

Sir Jonathan Miller’s production of Puccini’s classic remains powerful, but ENO’s latest revival underwhelms at the Coliseum.
Time for a cut? Jonathan Miller's Barber of Seville returns to ENO

Miller's production, running since 1987, is starting to show its ago, but an excellent performance from Anna Devin keeps English National Opera's latest revival moving.
Second Elizabethan age receives a noble tribute in ENO's Gloriana

When done as well as this, a "concert staging" is not oxymoronic, but a precise term for a valuable mode of presentation.
Chilly revival of Jonathan Miller's Bohème at ENO
A well-sung revival of Jonathan Miller's Bohème at the coliseum fails to catch fire.
Ludicrous, but brilliant: Barber of Seville at The Grange Festival
From the stately front of The Grange, an impressive moustache looms large, welcoming the audience to a production of Rossini's masterpiece that baffles, confuses and delights the audience.
