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Performer: Christina Gansch

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MunichDialogues des Carmélites

© Wilfried Hösl
Poulenc: Dialogues des Carmélites
Bertrand de Billy; Dmitri Tcherniakov; Bavarian State Opera; Elena Zaytseva; Kristian Paul; Miles Mykkanen

ParisCapriccio

Strauss R.: Capriccio
Marc Albrecht; Robert Carsen; Opéra national de Paris; Michael Levine; Anthony Powell; Diana Damrau; Sir Simon Keenlyside

Hong KongBrahms German Requiem

Hong Kong Philharmonic Society Ltd
Brahms: Ein Deutsches Requiem - A German Requiem, Op.45
Hong Kong Philharmonic Orchestra; Ralf Otto; Christina Gansch; Thomas E. Bauer; Hong Kong Philharmonic Chorus
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Bychkov and the BBC SO embrace the spirit of Mahler

Semyon Bychkov © BBC | Chris Christodoulou
The BBC Symphony Orchestra in exceptionally fine form under Semyon Bychkov explore the links from Schubert to Mahler and the present-day Glanert.
****1
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Exquisite Handelian singing in San Francisco Opera's Orlando

Sasha Cooke (Orlando) © Cory Weaver | San Francisco Opera
The evening’s most revelatory performance came from the young countertenor Aryeh Nussbaum Cohen as Medoro. 
****1
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A classic executed with style: Hänsel und Gretel

Hanna Hipp (Hänsel), Jennifer Davis (Gretel) © ROH | Clive Barda
Designer/director Antony McDonald treads a perfectly weighted path between light and dark of the fairytale; conductor Sebastian Weigle cooks up a Wagnerian storm; Michaela Schuster steals the show. A treat.
****1
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Glyndebourne's baffling Pélleas et Mélisande at the Proms

Christina Gansch (Mélisande) and John Chest (Pelléas) © BBC | Chris Christodoulou
The annual transfer of a production from Glyndebourne to the Proms this year saw Herheim's baffling production of Debussy's masterpiece. 
****1
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An enigmatic Pelléas et Mélisande at Glyndebourne

John Chest (Pelléas) and Christina Gansch (Mélisande) © Richard Hubert Smith
Stefan Herheim's dreamlike production of Debussy's opera sets it squarely in the Sussex manor house that gave birth to Glyndebourne's festival. 
***11
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A spirited revival of The Magic Flute at Covent Garden

Roderick Williams (Papageno) and Siobhan Stagg (Pamina) © ROH | Tristram Kenton
In Thomas Guthrie’s revival of Sir David McVicar’s sober 2003 production of Mozart’s Singspiel, it was the pantomime elements of the show which registered strongly.
****1
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