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Performer: Christof Loy

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BerlinDer SchatzgräberNew production

Schreker: Der Schatzgräber (The Treasure Hunter)
Marc Albrecht; Christof Loy; Deutsche Oper Berlin; Johannes Leiacker; Barbara Drosihn; Olaf Winter; Dorothea Hartmann

Frankfurt am MainDie Nacht vor WeihnachtenNew production

Rimsky-Korsakov: Christmas Eve
Sebastian Weigle; Christof Loy; Oper Frankfurt; Ran Arthur Braun; Johannes Leiacker; Ursula Renzenbrink; Olaf Winter

Frankfurt am MainNorma

Bellini: Norma
Erik Nielsen; Christof Loy; Oper Frankfurt; Raimund Orfeo Voigt; Ursula Renzenbrink; Olaf Winter; Ambur Braid
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HelsinkiSalome

Strauss R.: Salome
Hannu Lintu; Christof Loy; Finnish National Opera; Johannes Leiacker; Robby Duiveman; Olaf Winter; Sara Jakubiak

HelsinkiTosca

Puccini: Tosca
Patrick Fournillier; Christof Loy; Finnish National Opera; Christian Schmidt; Aušrinė Stundytė; Andrea Carè
Latest reviewsSee more...

Spoiler alert: Juliet doesn’t die in Zurich I Capuleti e i Montecchi

The Opernhaus Zürich revives Christof Loy’s production with a new young cast under the baton of Fabio Biondi.
**111
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A compelling Luisa Miller from Christof Loy at Glyndebourne

Christof Loy would seem to be the perfect director for Covid-era opera, his stripped back production of Verdi's rare middle period opera directed remotely from Austria.
****1
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Christof Loy’s Lonely Hearts Club at Oper Frankfurt

This is no Liederabend with singers taking their turn to file up to the piano. It’s a fully staged drama in which baritone Vladislav Sulimsky’s character reflects on his past loves and losses.
*****
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A “poem of blood and lust” reconsidered at Deutsche Oper Berlin

If you have dismissed this opera as overstuffed kitsch in the past, you might want to take a look at this production. It could well change your mind.
*****
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Don't divas always die? Zazà at Theater an der Wien

Leoncavallo's opera is a rare example of a tragic, verismo opera where not a soul dies... neither by natural causes nor foul play.  
***11
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School for lovers: Loy’s bitter lessons at the Salzburg Festival

It's difficult to believe Salzburg could have cast a finer Così in Loy's Covid-reduced production in the Großes Festspielhaus.
****1
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