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Hurrell's Cleopatra reigns in English Touring Opera's Giulio Cesare
James Conway's production for English Touring Opera returns in a trimmed-down, single-evening guise.
Fabulous musical performance of Athalia in Sydney
Handel's Athalia is a wonderful English oratorio but this production, while musically wonderful, was marred by a problematic staging with infuriating surtitles.
A welcome return: Monteverdi's Ulysses’ Homecoming
ETO's charactistically clear, simple production conveys Homer's story with clarity, confidence, and charm – and even humour – from a fine cast, making an exciting start to fully-staged opera at Saffron Hall.
Xerxes: quirky revival sparkles vocally
Updating 470BC Abydos to a 1940s RAF base complete with tin hangar and outdoor privy seemed at times more Dad’s Army than a particularly cohesive tale of war and love.
La gloria di primavera: Scarlatti gem rediscovered
Nicholas McGegan and the Philharmonia Baroque Orchestra give new life to a Scarlatti serenata.
Strong and stylish Ottone from ETO
A beautiful and much-put-upon princess, a pair of royal lovers who have never met, a scheming mother, and a pirate who is a prince in disguise: Ottone is a feast of ideas, beauty and fun.
