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Ariadne in Naxos: more Rockefeller than Esterhazy
The Glimmerglass Festival's updated Ariadne in Naxos contains comedy, character and great singing.
LA Opera's Flying Dutchman sails past the point
While the term “Eurotrash” gets thrown around more often than it should, it is one that has unfortunately become synonymous with many of the Wagner opera productions that take a non-traditional approach. As opera-goers go, I tend to sympathize with the directors and find that this approach can work fantastically well in bringing Wagner’s logistically impossible scenarios to life.