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Performer: Coro del Teatro La Fenice

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VeniceLe baruffe

FONDAZIONE TEATRO LA FENICE DI VENEZIA
Battistelli: Le baruffe
Enrico Casari; Damiano Michieletto; Teatro La Fenice; Paolo Fantin; Carla Teti; Alessandro Luongo; Silvia Frigato

VeniceI lombardi alla prima crociataNew production

FONDAZIONE TEATRO LA FENICE DI VENEZIA
Verdi: I lombardi alla prima crociata
Sebastiano Rolli; Valentino Villa; Teatro La Fenice; Antonio Corianò; Michele Pertusi; Roberta Mantegna; Antonio Poli

VeniceFaust

FONDAZIONE TEATRO LA FENICE DI VENEZIA
Gounod: Faust
Frédéric Chaslin; Joan Antón Rechi; Teatro La Fenice; Sebastian Ellrich; Gabriela Salaverri; Carmela Remigio; Alex Esposito
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VeniceLa Favorite

Donizetti: La Favorite
Donato Renzetti; Rosetta Cucchi; Teatro La Fenice; Massimo Checchetto; Claudia Pernigotti; Veronica Simeoni; John Osborn

VeniceAida

Verdi: Aida
Riccardo Frizza; Bepi Morassi; Teatro La Fenice; Irene Roberts; Francesco Meli; Roberto Frontali; Roberta Mantegna
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La Fenice transformed into a cathedral for Gounod's Faust

The real sensation of the evening was Alex Esposito – this time, Gounod's Faust should have been titled Méphistophélès...
****1
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Vivaldi's Farnace returns to Venice at the Teatro Malibran

Christophe Gayral gives Vivaldi's Farnace a contemporary update at the Teatro Malibran, but there are musical compensations. 
***11
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A requiem to honour the dead in Venice

Claus Peter Flor directs La Fenice forces with a fine quartet of soloists in the Requiem by Mozart that somewhat unjustifiably carries the composer's name, prefaced by a companion-piece motet.
***11
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Striking choral juxtapositions in Venice

An afternoon of mostly enjoyable singing and music-making from the chorus and instrumentalists of La Fenice in an empty Teatro Malibran.

***11
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Beware Posa! A black, bleak Don Carlo opens season at La Fenice

Maestro Myung-Whun Chung leads an almost all-Italian cast in an impressive performance of Verdi’s most ambiguous masterpiece.
*****
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A second chance for a teenager Mozart in Venice

Il re pastore seems to be a work that deserves to be included in the repertoire for its undoubted qualities and not only because it foreshadows the genius of the works that will follow.
***11
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