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Pastel-perfect hell: To See The Invisible
Emily Howard's new opera, an Aldeburgh Festival commission, takes an ambitiously modernist approach to a dystopian story of loneliness: a tough, but thought-provoking work.
Claudia Molitor's Remember Me at Spitalfields
Innovative and clever, inspired by a mixture of personal memories, philosophical readings and tragic myth, Remember Me feels more like performance art than opera, moving slowly towards a sudden, secret ending.
Written on skin, chef-d'œuvre de George Benjamin à la Philharmonie
Clou du festival Présences qui lui est consacré, George Benjamin dirige un Written on skin bouleversant à la Philharmonie, qui rappelle avant tout la richesse de l'écriture orchestrale du compositeur.