Performer: Daniel Roddick

Opera Loki's stylish Victorian Rigoletto, one piano accompaniment and much grease-paint later, is an enjoyable and moving evening, though it doesn't quite get to the heart of Verdi's dark masterpiece. 

It might be a useful “rule of thumb” for every director of opera, to imagine the audience will be coming to the opera for the first time and view his own job as giving maximum clarity to the production he or she is working on.

Mozart's La Clemenza Di Tito was written in the last year of his life around the same time as Die Zauberflöte, the Clarinet Concerto and the Requiem, when Mozart was at the height of his powers.