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Performer: Egils Siliņš

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A hole in the heart: Johannes Erath’s new Elektra grips Tokyo

Elektra at the New National Theatre Tokyo © Rikimaru Hotta
The New National Theatre Tokyo season ends with a powerful new production of Richard Strauss’ Elektra featuring an impressive house debut by Estonian soprano Aile Asszonyi. 
****1
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All that glitters is not gold in Budapest's new Lohengrin

Lohengrin at Hungarian State Opera © Valter Berecz/Hungarian State Opera
Klára Kolonits's radiant Elsa proves the main attraction in the Hungarian State Opera's visually appealing but conceptually lacking new Lohengrin.
**111
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Salome in Riga, Winehouse at the Western Wall... with robots

Egils Siliņš (Jochanaan) and Astrid Kessler (Salome) © Agnese Zeltiņa
The limitations of AI are demonstrated in Alvis Hermanis’ problematic new production of Salome at Latvian National Opera. 
**111
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A visually spectacular and strongly sung Hoffmann in Tokyo

Leonardo Capalbo (Hoffmann) © Masahiko Terashi
Philippe Arlaud’s production for New National Theatre Tokyo may not be in its first youth, but it delivers on all counts. Leonardo Capalbo, Egils Siliņš and Yuka Kobayashi lead an excellent cast.
****1
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Family saga: Bayreuth's new Rheingold presents a story of today

Elisabeth Teige (Freia), Attilio Glaser (Froh) and Christa Mayer (Fricka) © Bayreuther Festspiele | Enrico Nawrath
The Bayreuth Festival's new Ring gets off to a promising start with a tautly directed Rheingold, but will we find out what it all means?
****1
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Lise Davidsen leads a revolutionary Fidelio at Covent Garden

An outstanding role debut from Davidsen, a star-studded vocal cast and a revelatory orchestral performance make a Beethoven anniversary performance to savour.
*****
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ParisSamson et Dalila

© Vincent Pontet | OnP
Saint-Saëns: Samson et Dalila
Philippe Jordan; Damiano Michieletto; Opéra national de Paris; Paolo Fantin; Carla Teti; Alessandro Carletti; Orchestre de l'Opéra national de Paris
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A Wagnerian in Riga: Egils Siliņš

Egils Siliņš © Jānis Deinats
The Latvian bass-baritone’s talks about his background in French and Italian opera, his journey to Wagner – and becoming chairman of the board of Latvian National Opera.