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Performer: Eleanor Dennis

Upcoming eventsSee more...

LeedsThe Turn of the Screw

The Turn of the Screw
Britten: The Turn of the Screw
Leo McFall; Alessandro Talevi; Opera North; Madeleine Boyd; Nicholas Watts

Newcastle upon TyneThe Turn of the Screw

The Turn of the Screw
Britten: The Turn of the Screw
Leo McFall; Alessandro Talevi; Opera North; Madeleine Boyd; Nicholas Watts

SalfordThe Turn of the Screw

The Turn of the Screw
Britten: The Turn of the Screw
Leo McFall; Alessandro Talevi; Opera North; Madeleine Boyd; Nicholas Watts

NottinghamThe Turn of the Screw

The Turn of the Screw
Britten: The Turn of the Screw
Leo McFall; Alessandro Talevi; Opera North; Madeleine Boyd; Nicholas Watts

LondonHighgate Chamber Music concert series

Beethoven, Sibelius, Chausson, Shostakovich, Mozart, Schubert
Eleanor Dennis; Peter Sparks; Natalie Klouda; Gary Pomeroy
Latest reviewsSee more...

Simon McBurney's Magic Flute makes a joyous return to ENO

Thomas Oliemans (Papageno) © Donald Cooper
Simon McBurney's production of The Magic Flute continues to delight and this revival benefits from a strong cast, led by the superb Lucy Crowe as Pamina.
****1
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Disentangling pain and triumph, clarifying hope

Geraint Bowen © Michael Whitefoot
Geraint Bowen directs the Three Choirs Festival Chorus and Philharmonic Orchestra at Hereford Cathedral in two works once unfairly dismissed.
****1
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A classically elegant Così fan tutte at OHP

Sarah Tynan (Despina) and Peter Coleman-Wright (Don Alfonso) © Robert Workman
As the two sisters, Eleanor Dennis and Kitty Whately ideally complemented and blended with each other.  
****1
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Hot ice and strange snow

Joshua Bloom (Bottom) and Soraya Mafi (Tytania) © Robert Workman
In Siberian conditions more akin to The Winter's Tale, a revival of Robert Carsen's season setting of Britten's A Midsummer Night's Dream offered a warm glow at the Coliseum.
****1
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Muhly's Marnie fails to find the drama of the novel

Sasha Cooke (Marnie) © Richard Hubert Smith
A decent cast was unable to redeem a fundamentally dull opera that lacks the psycholgical complexity and tension of both the original Graham novel and its famous Hitchcock adaptation.
***11
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