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Performer: Elisabet Strid

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LeipzigDer fliegende Holländer

Der fliegende Holländer
Wagner: Der fliegende Holländer (The Flying Dutchman)
Ulf Schirmer; Michiel Dijkema; Oper Leipzig; Christoph Gedschold; Jula Reindell; Iain Paterson

LeipzigSiegfried

© Tom Schulze
Wagner: Siegfried
Ulf Schirmer; Rosamund Gilmore; Oper Leipzig; Carl-Friedrich Oberle; Nicola Reichert; Stefan Vinke; Dan Karlström

MadridDie Walküre

Die Walküre
Wagner: Die Walküre
Pablo Heras-Casado; Robert Carsen; Teatro Real; Patrick Kinmonth; Stuart Skelton; Christopher Ventris

ChicagoDie Walküre

Wagner: Die Walküre
Sir Andrew Davis; David Pountney; Lyric Opera of Chicago; Johan Engels; Marie-Jeanne Lecca; Brandon Jovanovich; Stephen Milling

BerlinTannhäuser

Tannhäuser
Wagner: Tannhäuser
Donald Runnicles; Kirsten Harms; Deutsche Oper Berlin; Bernd Damovsky; Elisabet Strid
Latest reviewsSee more...

A powerful gale of sound in Budapest's Dutchman

Elisabet Strid (Senta) © Gábor Kotschy | Müpa Budapest
The battle of the choirs is a thrilling moment in just about any performance of Dutchman, but produces shock and awe in the live acoustics of Budapest's Bartok Bela Concert Hall.
****1
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Pountney's riveting Walküre in Chicago

Christine Goerke (Brünnhilde) © Cory Weaver
David Pountney's new production of Die Walküre for the Lyric Opera of Chicago incisively charts the tectonic shift of control over the future from Wotan to Brünnhilde.
****1
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An outstanding debut in new Leipzig Salome

Elisabet Strid (Salome) © Kirsten Nijhof
In a state of almost child-like transfiguration and fulfilment, Strid's voice fully encompassed the extremes of the last scene.
****1
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Wagner's Flying Dutchman in Budapest

In 2015, The Flying Dutchman is on the roster at the Wagner in Budapest festival. A fine cast and an inventive orchestra under the baton of Adam Fischer are matched with a debatable staging by Balázs Kovalik
***11
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Baffling in Bayreuth

In this second year of Bayreuth's bicentennial Der Ring, Oleg Bryjak shines as an outstanding Alberich. Frank Castorf's production is striking but as yet incomprehensible.
***11
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