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Turin's Salome devoid of lunar magic
With so little of worth happening onstage, this performance requires a unanimously strong set of performances from the main cast.
Iain Paterson's Dutchman drops anchor in Frankfurt
Iain Paterson's house debut as the Holländer was sufficient reason to drop anchor in the Main for this revival of David Bösch's 2015 production.
Edinburgh International Festival: Opéra de Lyon's Fidelio from deepest space – with Segways
The lights dimmed and an announcer explained that following the destruction of earth’s ecosystem, there had been a scramble to rocket bases and a rush to transport surviving life to the nearest planet, Mars.
Atom Egoyan's strong, intoxicating Salome at the Canadian Opera Company
Atom Egoyan’s production of Richard Strauss’ Salome is styled for extreme contrasts. You could think of it as Springtime for Herod in Judea. While patrons spilling out of limos, taxis and Wheel-Trans were gathering on this magnolia blossom-filled May Day evening in the plaza outside the opera house’s glass façade, a parade hedged by bicycle cops was filing by.
Una historia de violencia: Bieito lleva con éxito Lear al Real
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Este Lear de Calixto Bieito constituye la mejor propuesta hasta el momento de la temporada de Teatro Real.
L’enfer sur la scène de Garnier : Lear de Reimann selon Bieito
Dans cette reprise d'une production créée en 2016, Bo Skovhus est magistral dans le rôle-titre. L'œuvre s'avère une nouvelle fois un des moments forts de la programmation de l’Opéra de Paris.
