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LondonLawrence Power & Exaudi: Cassandra Miller's The Years

Alwyn, Byrd, Boccherini, Kurtág, Purcell, Veress, Beethoven, Miller
Ilya Gringolts; Lawrence Power; Nicolas Altstaedt; Exaudi
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Oliver Leith’s Garland: dreamlike chaos in a Peckham car park

Only Bells and Horses: Garland transforms a Peckham car park into a dreamlike, chaotic spectacle of musicians, objects and voices – thrilling, poignant and unabashedly emotional.
A Requiem for Peace: Exaudi saves the day at London’s Kings Place

A sonorous performance by Exaudi brings to life Eugene Birman's Requiem for Peace, Russia: Today.
Grey reverie and awkward electronics
The LCO and Actress present tantalizing textures, while new works of placid emotion envelop the senses.
Birtwistle's early gems mesmerise
Lean yet nuanced performances from Oliver Knussen and the Birmingham Contemporary Music Group in commemoration of Harrison Birtwistle's 80th birthday
Prom 47: John Cage night
Now they know how many cacti it takes to fill the Albert Hall. Last night’s marathon John Cage Prom finished up, over three hours after it had started, with a wonderfully cactus-heavy performance of Branches (1976).
Exaudi sing Cage at Spitalfields Music Summer Festival
Almost as remarkable as John Cage's actual music is how varied it is. Nothing obvious connects The Wonderful Widow of Eighteen Springs, a beautifully simple four-note piece for soprano and piano lid, to Four Solos for voice, a late work in which four singers independently do a series of strange things at the same time.
