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Performer: Federico Maria Sardelli

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ViennaLe Carnaval, mascarade royaleConcert performance

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Lully: Le Carnaval, mascarade royale
Federico Maria Sardelli; Modo Antiquo; Choir of I Musici del Gran Principe; Valeria La Grotta; Giuseppina Bridelli
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Vivaldi’s pasticcio Bajazet given an extravagant staging

Renato Dolcini (Bajazet) © Michele Crosera

Federico Maria Sardelli leads a great cast of specialists in a new production by Fabio Ceresa, perfectly attuned to the Baroque style. 

****1
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Excellent singing in Aci, Galatea e Polifemo in Halle

Federico Maria Sardelli conducts Modo Antiquo © Thomas Ziegler
The Halle Handel Festival brings wonderful Baroque vocalising and playing in this somewhat obscure offering from Handel's early days in Italy. 
****1
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Cavalli's Il Xerse as farce in Martina Franca

Carlo Vistoli (Xerse) and Carlo Allemano (Ariodate) © Clarissa Lapolla
Leo Muscato directs an operatic rarity at the Festival Valle d'Itria, with Federico Maria Sardelli leading Orchestra Barocca Modo Antiquo.
***11
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Vivaldi's Farnace finally reaches Ferrara

Vivaldi's opera Farnace presents a basically insoluble problem: how to produce a more or less complete version. While this is not solved by the Ferrara production, it is strong musically and enjoyable.
***11
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Flailing capes, plumed helmets, Baroque machinery: Pizzi's Rinaldo!

Federico Maria Sardelli conducts an historic production of Handel’s first Italian opera for London with energy and Baroque spirit. Teresa Iervolino takes the leading role in a convincing cast.
****1
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Porpora's L'Angelica is a love triangle in Martina Franca

A masterpiece from one of the Neapolitan School's most important protagonists, this rarely heard opera is musically rewarding but confusingly staged.
***11
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