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Asmik Grigorian strengthens the Met’s revival of Eugene Onegin
The Lithuanian soprano’s riveting performance as the central character in Tchaikovsky’s operatic masterpiece lights up Deborah Warner’s mostly bland production.
McBurney's delightfully batty Magic Flute returns to the Coliseum
English National Opera brings back Simon McBurney's theatre of wonders for this Mozart classic.
Simon McBurney’s richly inventive Zauberflöte arrives at the Met
With a stellar cast and fine orchestral playing, Mozart’s enigmatic fairy tale takes on a darker, more grown-up tone in its first new Metropolitan Opera staging in 19 years.
Cinders returns to the ball in resplendent new clothing
With sumptuous new set designs and costumes, The Royal Ballet are in splendid form in Sir Frederick Ashton's Cinderella.
Star-studded gloom in Kevin Puts' The Hours at the Met
Is it possible to have a minor success on every level? Kevin Puts' The Hours underwhelms in its world premiere production at the Metropolitan Opera.
Slick but disjointed Anna Karenina premieres in Sydney
Yuri Possokhov's Anna Karenina aims to be a dark psychological drama, but its uneven character development and unengaging choreography fail to satisfy.