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Love in Lisbon: final concert of the Verão Clássico
As he does when his spirit is most honestly invoked, Schumann spoke directly across the ages through Moraguès and Pinto-Ribeiro, and in the process allowed the two musicians to reveal the dimensions of their own love for music.
Verão Clássico: Chamber music rules in Lisbon
Eldar Nebolsin, Corey Cerovsek and Gary Hoffman did not completely answer whether Tchaikovsky's Piano Trio is chamber music that wants to be a ballet score or vice versa, but the intoxicating beauty of their playing banished all doubts of whether the answer mattered.
A Lisbon line-up of Romantics
Katya Apekisheva and friends made a persuasive case for Hummel's Piano Quintet to be heard as a transitional grand romantic concerto deserving of belonging in such august company.
Pleasing Dvořák from the Hallé in Manchester
The Hallé’s end-of-season Dvořák festival continued with the Seventh Symphony, Cello Concerto and Slavonic Dance no. 2 from the Op.72 set.
Antonín Dvořák exalté par le Quatuor Jérusalem à la Biennale
Dans le cadre de la Biennale de quatuors à cordes, les Jérusalem revisitent leur Dvořák et proposent un Quatuor « Américain » et un Sextuor plus exubérants que jamais, avec Gary Hoffman et Miguel da Silva.
Au Louvre, les Rolston et leurs mentors transfigurent le sextuor
En compagnie de Miguel da Silva et Gary Hoffman, le jeune Rolston Quartet a fait mieux que formuler une promesse au public parisien, interprétant notamment une formidable Nuit transfigurée.
