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Performer: Gianna Reisen

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Foreseeable Future is aimless movement to aimless music at NYCB

Megan Fairchild in Alexei Ratmansky's Voices © Erin Baiano
Some excellent individual performances but a disappointing program for Contemporary Choreography I with New York City Ballet.
**111
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Few signs of heat in a mixed bill at New York City Ballet

Mira Nadon and Chun Wai Chan in Justin Peck's Heatscape © Erin Baiano
New York City Ballet offered a few exhilarating moments in a mishmash of a program from the company with arguably the greatest rep in the world.  
***11
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An historic moment at New York City Ballet, long overdue

Tiler Peck in Caili Quan's Beneath the Tides © Erin Baiano
What took so long, you may wonder, to get three female choreographers on a triple bill at New York City Ballet. This one yielded three keepers. 
****1
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NYCB's Contemporary Choreography marred by middle pieces

Chun Wai Chan in Alexei Ratmansky's Pictures at an Exhibition © Erin Baiano
Although Glass Pieces and Pictures at an Exhibition are on the surface very different ballets, they both draw us into their world. I wish NYCB had been able to find more compelling middle ballets.
***11
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NYCB: Abraham's Love Letter (On Shuffle) is another huge hit

Taylor Stanley in Kyle Abraham's Love Letter (On Shuffle) © Erin Baiano
Contemporary ballet often shies away from unabashed romance. Kyle Abraham instead leans into the love story. 
****1
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NYCB's eclectic program worth the three hours

The ending of Stars and Stripesis a sure-fire applause machine. The lowering of the flag while all the regiments march and salute onstage is so corny that only Balanchine could have choreographed it with a straight face. And yet it worked in 1958 and it works in 2019. 
*****
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