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Sacred and profane in Guildhall School's Respighi double bill
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From the spiritual conversion of a Medieval sex-worker, to the Sleeping Beauty tale reimagined, Guildhall stages a Respighi double-bill.
Picture perfect: a fine triple bill from the Guildhall School
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Massenet, Smyth and Rota are unlikely bedfellows, but in the Guildhall School's Autumn production, a one-act opera by each contributed to a most convincing triple bill, all set around the La Scala Picturehouse in the 1920s.
Britten's Dream haunts Guildhall School
Dominic Wheeler did full justice to Britten’s brilliantly colourful and haunting score right from those first eerie glissandi.