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Performer: Helena Rasker

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BarcelonaMahler's Second

© Gisela Schenker
Soler, Mahler
Barcelona Symphony Orchestra and National Orchestra of Catalonia; Xavier Puig; Christiane Karg; Helena Rasker; Orfeó Català; Ludovic Morlot

FlorenceWozzeckNew production

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Berg: Wozzeck
Thomas Guggeis; Deborah Warner; Maggio Musicale Fiorentino; Hyemi Shin; Nicky Gillibrand; Adam Silverman; Orchestra del Maggio Musicale Fiorentino
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Venables We Are the Lucky Ones is the time to be alive at DNO

We Are The Lucky Ones © Dutch National Opera | Koen Broos
Inspired by Annie Ernaux’s The Years, Philip Venables’ new opera widens the canvas to take in the whole of Europe’s postwar generation. 
*****
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A Puccini hat-trick: Barrie Kosky directs Il trittico in Amsterdam

Joshua Guerrero (Luigi), Leah Hawkins (Giorgetta) and Daniel Luis de Vicente (Michele) © Monika Rittershaus | Dutch National Opera
Barrie Kosky brings his trio of Puccini productions to a close with another triptych: Il trittico in a triumphant staging. 
*****
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Ensemble Modern the ultimate precision instrument in Amsterdam

Sir George Benjamin conducts Ensemble Modern © Milagro Elstak
Sir George Benjamin conducts Ligeti and his own Into the Little Hill at the Concertgebouw. 
****1
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Oppressively realistic: Alexander Raskatov's Animal Farm

Animal Farm © Ruth Waltz | Dutch National Opera
Alexander Raskatov and Damiano Michieletto turn George Orwell’s fable into an opera of exceptional contemporary relevance.
****1
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Spinning the Wheel of Fortune: Vivaldi's Il Giustino in Berlin

Raffaele Pe (Anastasio) © Matthias Baus
A new production of Vivaldi's Byzantine opera Il Giustino charms Berlin, thanks to René Jacobs' exemplary conducting and a top-level cast led by Christophe Dumaux.
****1
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Bluebeard as psychothriller in Castellucci's mismatched double bill

Aušrinė Stundytė (Judith) © Salzburger Festspiele | Monika Rittershaus
Romeo Castellucci's intense production of Bartók's opera reaps its rewards in the performance under Teodor Currentzis, but Carl Orff's opera-oratorio De temporum fine comoedia feels little more than a drab filler. 
***11
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