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Performer: Ian Bostridge

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Lockenhaus Finale: Elbert, Bostridge, Yang, Altstaedt & Lonquich

Kulturverein Kammermusikfest Lockenhaus
Anna-Lena Elbert; Ian Bostridge; Inmo Yang; Nicolas Altstaedt

GloucesterIan Bostridge and Fretwork perform Dowland

© Marco Borgrevve
Dowland
Ian Bostridge; Elizabeth Kenny; Fretwork

AmsterdamWolf and Schubert

© Foppe Schut
Wolf, Schubert
Ian Bostridge; Julius Drake

LondonFretwork 40th Anniversary

Wigmore Hall
Lawes, Britten, Vaughan Williams, Purcell, Benjamin, Pearsall, Schütz, Jenkins, Dowland, Couperin, Wollston, Various
Sir George Benjamin; Fretwork; Emilia Benjamin; Emily Ashton; Jonathan Rees

LondonIan Bostridge / Vadym Kholodenko

Wigmore Hall
Schumann
Ian Bostridge; Vadym Kholodenko

StockholmLied Concert with Ian Bostridge

© Kalpesh Lathigra
Schubert, Britten
Ian Bostridge; Magnus Svensson
Latest reviewsSee more...

Deborah Warner directs a memorable Turn of the Screw in Rome

Cecily Balmforth (Flora), Anna Prohaska (Governess) and Zandy Hull (Miles) © Fabrizio Sansoni | Teatro dell’Opera di Roma
Following her Billy Budd and Peter Grimes, Deborah Warner directs a third Britten opera at the Teatro Costanzi. 
****1
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The Belgrade Philharmonic: a fine English orchestra

Nikola Ćirić, Howard Griffiths, Ian Bostridge and the Belgrade Philharmonic © Belgrade Philharmonic | Marko Djokovic
Howard Griffiths conducts English music in Belgrade. Ian Bostridge and Nikola Ćirić star and Britten's Serenade and Vaughan Williams' Fifth Symphony wow the Serbian audience.
****1
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Gerhardt and Osborne honour Britten with sublime Aldeburgh recital

Steven Osborne and Alban Gerhardt © Angus Cooke
Alban Gerhardt and Steven Osborne offered a vivid and memorable reprise of Ben and Slava's iconic recital of 1961. 
*****
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Britten and Elgar challenge expectations at Symphony Hall

Kazuki Yamada and the City of Birmingham Symphony Orchestra © Andrew Fox
Kazuki Yamada and the CBSO demonstrate the mercurial tension in Britten’s Serenade and Elgar’s First Symphony in the season finale. 
****1
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Mehldau and Bostridge’s tone-deaf folly at the Konzerthaus

Ian Bostridge © Kalpesh Lathigra
Brad Mehldau’s song cycle is a disappointment, the texts selected under the rubric of “desire” proving a major concern.
**111
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Unhappy ever after: Gluck's Armide returns to Paris

Véronique Gens (Armide) © Stefan Brion
Excellent performances and stage direction make a good case for an opera that's on the slow side dramatically.
****1
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