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ZürichDon Pasquale

Donizetti: Don Pasquale
Sesto Quatrini; Christof Loy; Zurich Opera; Johannes Leiacker; Barbara Drosihn; Pietro Spagnoli; Aleksandra Kubas-Kruk
LeipzigL'elisir d'amore

Donizetti: L'elisir d'amore
Felix Bender; Rolando Villazón; Oper Leipzig; Johannes Leiacker; Thibault Vancraenenbroeck; Olga Jelínková; Bianca Tognocchi
ValenciaCavalleria rusticana & Pagliacci
Mascagni, Leoncavallo
Jordi Bernàcer; Giancarlo del Monaco; Palau de Les Arts Reina Sofia; Johannes Leiacker; Birgit Wentsch; Sonia Ganassi; Jorge de Léon
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BarcelonaDon Giovanni

Mozart: Don Giovanni
Josep Pons; Christof Loy; Gran Teatre del Liceu; Johannes Leiacker; Ursula Renzenbrink; Olaf Winter; Christopher Maltman
BerlinFrancesca da RiminiNew production
Zandonai: Francesca da Rimini
Carlo Rizzi; Christof Loy; Deutsche Oper Berlin; Johannes Leiacker; Klaus Bruns; Olaf Winter; Dorothea Hartmann
Latest reviewsSee more...
Konwitschny’s controversial Don Carlos a must-see in Vienna

A five-hour operatic marathon as the full, five-act French version of Verdi's epic Don Carlos returns to the Staatsoper after a seven-year hiatus.
School for lovers: Loy’s bitter lessons at the Salzburg Festival

It's difficult to believe Salzburg could have cast a finer Così in Loy's Covid-reduced production in the Großes Festspielhaus.
Peter Konwitschny returns to the Semperoper with Les Huguenots

John Osborn leads a very successful premiere of Peter Konwitschny's new production of Meyerbeer's Les Huguenots in Dresden
An immersive auto-da-fé: Konwitschny's Don Carlos sizzles

From stylised 16th-century dress to a 1970s sitcom ballet, Konwitschny's Staatsoper staging is full of brilliantly inventive touches, splendidly realised in this excellently sung revival.
Glorious ensembles in Dutch National Opera’s new Tannhäuser

Orchestra and chorus reach great Wagnerian heights in this new production by Christof Loy, a study of an artist in revolt against hypocritical sexual mores.
Mob mentality: a powerful La Juive at Opera Vlaanderen

Peter Konwitschny's production strips away much of the religious symbolism, presenting the difference between Jews and Christians as little more than the dyed colour of their hands.