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A Cav & Pag with virtues and flaws at San Francisco Opera
Tenor-turned-director José Cura transplants the action from southern Italy to Buenos Aires.
A beautiful but lifeless Nabucco in Prague
José Cura shines as a designer but brings surprisingly little staging expertise to his latest directorial effort.
Tragic dignity and pathos from José Cura's Otello
Cura's powerful spinto tenor impressed from his opening “Esultate!” and left no doubt as to the Moor's authority.
José Cura's Scandinavian Bohème revived in Stockholm
Strindberg, Munch, Grieg, and Kierkegaard eke out a living in a loft in Stockholm among the joys and sorrows of love and loss.
José Cura directs a Scandinavian Bohème
José Cura's new Bohème in Stockholm features Kierkegaard, Munch, Strindberg, and even Julbocken – but it's Daniele Callegari that proves the main draw.
Low voltage Carmen in Emma Dante's return to La Scala
On a balmy evening in Milan, there was anticipation in the air as queues stretched way back for a sold out performance of Carmen. But a flat atmosphere soon fell in the auditorium itself, with lacklustre singing and confused staging to blame.
