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Mané Galoyan steals the show in a Traviata for our age
An emotionally intense Violetta from Mané Galoyan in Tom Cairns' darkly challenging La traviata launches Glyndebourne Tour's 50th season
Light and shade: Pelléas et Mélisande at Wormsley
Debussy’s opera of half-lights succeeds in taming the glare of the midsummer sun in Garsington’s new staging.
Mavra and Iolanta: a strong Russian double-bill
In the first of its opera productions this season, the Guildhall School of Music and Drama presented an interesting combination of Stravinsky's odd little comedy, Mavra and Tchaikovsky's tale of the blind princess, Iolanta.