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Performer: Katia Labèque

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PragueKatia and Marielle Labèque

© Petra Hajska
Dessner, Mozart, Dvořák
Czech Philharmonic; Semyon Bychkov; Katia Labèque; Marielle Labèque

LondonCzech Philharmonic/Bychkov

Barbican
Kabeláč, Mozart, Dvořák
Czech Philharmonic; Semyon Bychkov; Katia Labèque; Marielle Labèque

ParisSemyon Bychkov & Czech Philharmonic

Dessner, Mozart, Dvořák
Czech Philharmonic; Semyon Bychkov; Katia Labèque; Marielle Labèque
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ParisKatia & Marielle Labèque play Glass

Katia & Marielle Labèque play Glass
Glass, Shostakovich
Orchestre de Paris; Jaap van Zweden; Katia Labèque; Marielle Labèque
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Labèques make a persuasive case for rare Bruch in Cleveland

Katia and Marielle Labèque © Weigold & Böhm

Semyon Bychkov was the guest conductor for a fine concert that also included the US premiere of Detlev Glanert’s evocative Wide Open Land, Music with Brahms, and expansive Smetana.

****1
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Curious pairing, inspired playing in Bychkov's NY Phil engagement

Semyon Bychkov © Umberto Nicoletti
Coupling a rare but underwhelming concerto by Max Bruch with Strauss's polychrome orchestral showpiece, the program with Semyon Bychkov and the sisters Labèque accentuated superlative musicianship.
****1
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Rattle and the LSO on toe-tapping form

Sir Simon Rattle © Oliver Helbig
Dance, jazz and Latin rhythms were all present in this programme, which rolled back the years to Rattle's early years. 
*****
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LA Phil returns home, licks wounds, soldiers on

Katia and Marielle Labèque © Weigold & Böhm
The audience responded as if they were hearing the Symphony for the first time. They were overwhelmed and let the musicians know it. Good start to the home stand.
***11
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Unexpected promise: Bryce Dessner at the Elbphilharmonie

Aaron and Bryce Dessner © Claudia Höhne
Launching a new “Reflektor” series of short festivals, Hamburg’s Elbphilharmonie invited Bryce Dessner to curate two days of concerts.
***11
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Jubilant Glass and impassioned Mahler

Jaap van Zweden © Marco Borggreve
A satisfying performance overall with many rousing moments but not without its instances of missed opportunity.
***11
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