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Mao Fujita’s Mozart and Myung‑whun Chung’s Fantastique in Seoul
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An evening at the Seoul Arts Center in which clarity matters as much as volume and the most telling virtuosity comes from a refusal to grandstand.
Markus Stenz conducts three monumental 20th-century scores in Seoul
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Propulsive Prokofiev from pianist Dmitry Shishkin between Ravel’s hypnotic minimalism and Schoenberg’s late-Romantic complexity.
A night of bold strokes: Orozco-Estrada and Josefowicz in Seoul
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By the close of the performance, one sensed that the audience’s exhilaration stemmed less from polished execution and more from a shared immersion in the music’s dramatic arc—elements that lingered as the defining memory of this eventful evening.
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Symphonic metamorphoses: Tokyo Philharmonic in 2025
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With concerts featuring Myung-whun Chung at the piano, Pinchas Zukerman leading from the podium, and inventive programming from Chief Conductor Andrea Battistoni, the Tokyo Philharmonic’s 2025 season straddles many divides.