Performer: Krešimir Stražanac

The Orchestra of the Age of Enlightenment under Václav Luks are joined by their own choir and strong soloists for a fresh and colourful performance of Haydn’s Die Schöpfung.

Herheim’s Fledermaus is a risky experiment that, miraculously, works – at least in a city that knows it so intimately.

In the hands of B'Rock Orchestra and conductor René Jacobs, Telemann's polyglot opera, once thought lost to time, becomes more than just a curiosity.

There are multiple ways of approaching Bach's Mass in B minor, from the one-to-a-part advocated by Joshua Rifkin to a more conventional large choral approach, and everything in between.

The Oslo Philharmonic was left to tell the story due to some rather emotionless singing.

Mit zeitlich-örtlicher Zufälligkeit leitet Luks das Paradewerk ganz so, als wollten die Ebenbilder des Herrn die Schöpferkraft herausfordern wie geradezu gleichsam zu Haydns geschriebenem und vermitteltem Energieboost verblüffungsreif demonstrieren.