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ParisLe Trouvère
Verdi: Il trovatore
Timur Zangiev; Àlex Ollé; Opéra national de Paris; Alfons Flores; Lluc Castells; Urs Schönebaum; Orchestre de l'Opéra national de Paris
Santa FeThe Magic FluteNew production
Mozart: Die Zauberflöte (The Magic Flute)
Harry Bicket; Christopher Luscombe; Santa Fe Opera; Simon Higlett; Robert Perdziola; Philip Rosenberg; Santa Fe Opera Orchestra
Santa FeMadama Butterfly
Puccini: Madama Butterfly
Lee Blakeley; Santa Fe Opera; Jean-Marc Puissant; Brigitte Reiffenstuel; Rick Fisher; Santa Fe Opera Orchestra
New York CityLa bohème
Puccini: La bohème
Ramón Tebar; Franco Zeffirelli; Metropolitan Opera; Peter J. Hall; Gil Wechsler; The Metropolitan Opera Orchestra
SeattleLa bohème
Puccini: La bohème
Roberto Kalb; James Robinson; Seattle Opera; Allen Moyer; Duane Schuler; Ashlee Naegle; Long Long
Latest reviewsSee more...
Atlanta Opera’s powerful Götterdämmerung caps a landmark Ring cycle
With superb singing, inspired orchestral playing and imaginative staging, Atlanta Opera crowns its monumental Wagner undertaking.
Petrenko and Serebrennikov forge a new Ring in Salzburg
The Berliner Philharmoniker’s much-anticipated return to Salzburg gets off to an impressive musical start. Kirill Serebrennikov’s staging raises numerous questions, but answers few of them.
Cast and orchestra bring down the house in Met’s glowing Turandot
With a standout cast, fine orchestral playing under Carlo Rizzi, and newly refurbished sets, Zeffirelli’s 1987 staging of Puccini’s epic fairy tale appears as bright as ever.
Claus Guth directs a tormented, harrowing new Salome at the Met
Claus Guth's new production at the Metropolitan Opera, originally seen at the Bolshoi in 2021, moves the action from biblical Judea to the era of the opera's composition.
Otto Schenk's Tannhäuser returns to the Met
Andreas Schager is the main reason to catch the latest revival of Otto Schenk's ultra-traditional Tannhäuser.
Superlative: Mahlers Achte mit den Berliner Philharmonikern
Unter dem Dirigat von Kirill Petrenko ist die Symphonie Nr. 8 von Gustav Mahler keine Symphonie der dröhnenden 1000 Dezibel, sondern eine Symphonie des Atems und der Berührung.