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Darkness without passion: Damiano Michieletto’s Carmen at La Scala

Despite Michieletto's visual gloom, the evening is redeemed by Myung-whun Chung’s masterful conducting and a cast that brings conviction to a production that rarely trusts the opera’s own dramatic power.
Carmen at Glyndebourne: a timeless tragedy

Diane Paulus' staging is remarkably true to the original while making it feel like the work was written yesterday.
Waxing lyrical: rare Offenbach proves a hit

A human waxwork, a lottery win and circus buffoonery combine in a long-neglected Offenbach operetta, given a fizzing performance by the forces of Opera Rara and the London Philharmonic.
Bright, bold, barking: Les Mamelles de Tirésias at Glyndebourne

With Laurent Pelly directing, a very French evening sees a veritable feat of singing from Stéphanie d'Oustrac in La Voix humaine, followed by riotous surrealism in Les Mamelles de Tirésias.
Shock and awe in Paris with Bernstein's A Quiet Place
In the expert hands of both director Warlikowski and conductor Kent Nagano, the sequel to Bernstein's Trouble in Tahiti proves to be even darker and more dramatic.
From darkness to light: Beethoven 9 in Helsinki
The traditional end of year performance of Beethoven's Ninth Symphony took on extra significance in this, his 250th anniversary year.
