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Traditional Rigoletto in Baltimore: A tribute to Verdi
In the opera world, where loyalty to the libretto is oftentimes taken for poor taste and the use of period sets and costumes is attributed to the lack of a directorial concept, seeing a traditional production becomes a rare (and very comforting) treat.
Georgy Vasiliev's Rodolfo triumphs: La bohème in Baltimore
“Poetry and again poetry – tenderness mixed with pain; sensuality, a drama surprising and burning, and a rocketing finale.” This is composer Giacomo Puccini describing one of the world’s most famous operas, La bohème.
The Devil takes the lead: Faust in Baltimore
When, in 1859, Gounod’s Faust premiered in Paris, it got an icy cold reception. In fact, shocking as it may sound to anyone even slightly familiar with this opera’s glorious arias, breathtaking duets and melodious ensembles, it got rejected by Paris Opera on the grounds of not being sufficiently “showy”.