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Performer: Mariangela Sicilia

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LondonPappano & Friends: Rossini’s Petite Messe Solennelle

Barbican
Rossini: Petite messe solennelle
Sir Antonio Pappano; Coro dell'Accademia Nazionale di Santa Cecilia; Mariangela Sicilia; Teresa Iervolino; Yijie Shi

BolognaOtelloNew production

Verdi: Otello
Asher Fisch; Gabriele Lavia; Teatro Comunale di Bologna; Alessandro Camera; Andrea Viotti; Gregory Kunde; Roberto Aronica
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RomeIl viaggio a Reims

Rossini: Il viaggio a Reims
Stefano Montanari; Damiano Michieletto; Teatro dell'Opera di Roma; Paolo Fantin; Carla Teti; Mariangela Sicilia; Anna Goryachova

BolognaOtelloNew production

Verdi: Otello
Asher Fisch; Gabriele Lavia; Teatro Comunale di Bologna; Alessandro Camera; Andrea Viotti; Gregory Kunde; Mariangela Sicilia
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A minimalist reading of Orfeo ed Euridice in Rome

Carlo Vistoli (Orfeo) and Mariangela Sicilia (Euridice) © Fabrizio Sansoni
Robert Carsen's minimalist modern reading of Gluck's masterpiece is a pure distillation of opera (and life) and the Teatro dell'Opera di Roma.
****1
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L'elisir d'amore finds an ideal setting at Macerata

Alex Esposito (Dulcamara) © Alfredo Tabocchini
With unbridled imagination, Michieletto fills this usually-problematic space with a wealth of racy detail.
*****
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Death in Florence: Zemlinsky and Puccini at DNO

Ausrine Stundyte (Bianca) and John Lundgren (Simone) © Matthias Baus
An unlikely coupling of one-act operas by Zemlinsky and Puccini bears fruit in a staging that reveals their thematic parallels while leaving their obvious differences on show.
****1
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Grace and delirium: Michieletto's Viaggio lands in Rome

© Clärchen & Matthias Baus | Dutch National Opera (2015)
Lord Sidney's contemplation of the insanity of the world seems to be the impetus for this delirious production. So endless is its stream of gags that to attend this show is to be left feeling exhausted.
****1
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Ivory Gothic madness: a visceral Guglielmo Ratcliff

Opportunities to see Mascagni's Guglielmo Ratcliff come few and far between, mainly because the title role is an absolute killer for any tenor mad enough to attempt it. Step forward, Angelo Villari...
*****
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Terry Gilliam’s spectacular Benvenuto Cellini arrives in Amsterdam

The task sounded Herculean: turning Benvenuto Cellini, that reputedly difficult, flawed work by Berlioz, into an utterly entertaining show that renders justice to its youthfully energetic music. This is what Terry Gilliam manages to pull off... and it is nothing short of miraculous.
****1
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