Performer: Marina Abramović

The premiere of Bal Impérial by Sidi Larbi Cherkaoui challenges and interrogates to great effect in Geneva. 

A maximalist production of Pelléas et Mélisande at Geneva's Grand Théâtre shines, but tries a little too hard. 

Marina Abramović's reflection on fame, artistry and death makes an enthralling Italian debut at the Teatro di San Carlo.

Heroes emerge in adversity, and there are sterling turns from Leigh Melrose as a pugilistic Golaud and from the venerable Arkel of Matthew Best.

Marina Abramović revealed her new technique for listening to music in a concert at the Park Avenue Armory featuring a majestic performance of Bach's Goldberg Variations by pianist Igor Levit.

Ivan Talijančić reviews Robert Wilson's production of The Life and Death of Marina Abramović at New York's Park Avenue Armory