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San Carlo’s Medea a clash of worlds in a neoclassical framework
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A new Medea at the Teatro di San Carlo presents three distinct visions – neoclassical in the pit, expressionistic on stage and conceptual in the direction – that never fully merge.
Martone's modern Rigoletto returns with power and flaws to La Scala
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A Rigoletto revival in Milan is elevated by a stellar vocal performance from Amartuvshin Enkhbat, despite a finale that divides opinion and some uneven orchestral pacing.
A new Onegin underwhelms at La Scala
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Mario Martone’s new production is inconsistent, while the musical performance is hindered by lacklustre conducting and a miscast prima donna.