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Handel’s Alcina makes its overdue Rome debut
Illusion – theatrical illusion – is the theme of Pierre Audi's staging of Alcina, Handel’s beloved opera which finally makes its debut in Rome.
Alcina in Seattle: captivating, flirtatious, sometimes weird
Thoughtful cuts, an extremely skillful orchestra and active, inventive staging made this sexy dark comedy engrossing and highly watchable.
Anthropocene: a timely chiller from Scottish Opera
Climate change, challenged egos and a strange Ice woman tell a gruesome tale in Anthropocene, a finely sung new opera from Stuart MacRae, with libretto from Louise Welsh, set in the Arctic with a cinematic score.
A dark, unflinching Rigoletto from Scottish Opera
More relevant than ever, the patriarchal nightmare of Verdi's Rigoletto is dark and unflinching in Scottish Opera's revival of their 2011 production, with some striking scenes and fine singing.
The Devil Inside: a deeply chilling opera
The Devil Inside, a chilling new opera by Stuart Macrae with libretto by Louise Welsh, is a fairy tale for grown-ups. Who will be the last owner of the devilish bottle and the curse of eternal damnation?
La Calisto dans le boudoir de la réussite au Festival d'Aix
La mise en scène de Jetske Mijnssen déçoit, au contraire de la réalisation musicale proposée par une belle distribution réunie sous la direction intelligente de Sébastien Daucé.
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ParisL'Enfant et les sortilèges
Ravel
Patrick Lange; Richard Jones; Opéra national de Paris; Antony McDonald; Matthew Richardson; Orchestre de l'Opéra national de Paris