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New York City Opera brings Telemann's Orpheus back from the dead
The New York City Opera has spent the season reinventing itself from a large company with a large theater to a peripatetic one presenting small works. Perhaps it was apt that they closed their season with Telemann’s Orpheus.
NYC ‘Elixir’ Cures Opera Ho-Hum
When attending professional opera, patrons can and should expect to see a solid production, strong singing, and elevated production values—a well-rounded show that leaves them more satisfied than not. At the professional level, opera is a commercial transaction around an artistic product.