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Young artists

Performer: Midori

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TarragonaMidori & Franz Schubert Filharmonia

Tchaikovsky, Brahms
Franz Schubert Filharmonia; Midori

BarcelonaMidori & Franz Schubert Filharmonia

Tchaikovsky, Brahms
Franz Schubert Filharmonia; Midori

DresdenViolin recital - Midori

Dresdner Musikfestspiele
Bach, Escaich, Zorn
Midori, Violin

WashingtonMidori plays Korngold

Ravel, Korngold, Moussa
National Symphony Orchestra; Kevin John Edusei; Midori


Bach, Yun, Zorn
Midori, Violin

ViennaRoderick Cox / Midori

Barber, Korngold, Brahms
Orchestra of the Vienna Volksoper; Roderick Cox; Midori
Latest reviewsSee more...

Cool Brahms from Midori and the Kansas City Symphony

A refined but unromantic rendition of Brahms' Violin Concerto by Midori following compelling account of Anna Clyne's This Midnight Hour and Debussy's La Mer
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Midori unlocks the magical jewel case

The Royal Scottish National Orchestra and its chief conductor Thomas Søndergård have little to say about Beethoven’s First Symphony, but in partnership with Midori much more about that composer’s Violin Concerto.

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Midori Gotō’s elegant playing conquers Sydney

It is not often that a United Nations Messenger of Peace gives a concert in Sydney. Yet this is what happened on Sunday when violinist Midori Gotō played a recital with pianist Özgür Aydin. 
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The majesty of Zemlinsky's Die Seejungfrau revealed in Montreal

Billed as “Midori performs Mendelssohn’s Violin Concerto, this Orchestre symphonique de Montréal concert conducted by James Colon was notable for a blazing performance of Zemlinsky's symphonic poem Die Seejungfrau.
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Style and technique: Midori and Aydin impress in Cleveland

Style, technique, an original approach, a brilliant discography, even an exemplary profile offstage – Midori has it all. What impresses in live performances is her intelligence, her deep understanding of the material and ability to articulate a wide range of visions and voices. 
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Prom 63: Philharmonia on scintillating form for Eötvös and Bruckner

The most memorable thing about this concert for me was the sheer glory of the Philharmonia’s playing. Whether it was in the winning, sprightly Mozart overture, or in all the glinting colours of Peter Eötvös’ new work, or in the full and rich late-Romantic orchestral tones of the Bruckner, these musicians, conducted by Esa-Pekka Salonen, were magnificent.
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