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Performer: Moritz Junge

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VilniusBodies and Codes

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Various, Richter
Krzysztof Pastor; Iván Pérez; Sir Wayne McGregor; Lithuanian National Ballet; Lithuanian National Opera Orchestra; Moritz Junge; Julian Opie; Lucy Carter

LondonDisruptors: Tanowitz, Junker, McGregor

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Hearne, Frahm, Talbot
Sir Wayne McGregor; The Royal Ballet; Geoffrey Paterson; John Pawson; Harriet Jung; Simon Bennison
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Woolf Works for The Royal Ballet: reaching poetic depths

Artists of The Royal Ballet in Wayne McGregor's Tuesday © 2026 Johan Persson
Woolf Works returns to Royal Opera House stage showcasing some of Wayne McGregor’s best choreography and a roster of exceptional performances.
****1
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Balanchine, Ratmansky, Goecke: contrasting brilliance in Monte Carlo

Les Ballets de Monte-Carlo in Balanchine's The Four Temperaments © Alice Blangero
In a triple bill of contrasting choreography, Les Ballets de Monte-Carlo tackle everything with aplomb.
****1
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A captivating Così fan tutte in Sydney

Helen Sherman (Dorabella), Nardus Williams (Fiordiligi) and Richard Anderson (Don Alfonso) © Keith Saunders
Opera Australia's well nigh perfect production of Mozart's Così fan tutte excels in every dimension, with an excellent ambiguous conclusion.
*****
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Uneven Woolf Works is a strong vehicle for a legendary ballerina

Alessandra Ferri in Wayne McGregor's Woolf Works © Kyle Froman
Final verdict on Woolf Works? It’s sprawling, uneven, with parts that are thrilling and other parts that are prosaic and shallow.
***11
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Destiny has rarely been gloomier: Treliński's new Forza at the Met

Lise Davidsen (Leonora) © Karen Almond | Met Opera
The first new Forza at the Met for nearly 30 years is lustily sung, led by Norwegian soprano, Lise Davidsen, and Igor Golovatenko as her vengeful brother. 
****1
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François Girard’s Holländer returns to the Met

Tomasz Konieczny (Holländer) and Elza van den Heever (Senta) © Ken Howard | Met Opera

Tomasz Konieczny, as the enigmatic mariner condemned to sail the seas forever, heads a superb cast in this Met Opera revival of François Girard’s murky production of Wagner’s early masterpiece.

****1
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