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Louis Langrée begins final week with Mostly Mozart Festival Orchestra
Langrée's incoherent but enjoyable program skips through five centuries of music history from Lully to Valerie Coleman.
Contrasting halves from Mostly Mozart Orchestra and Heyward
Jessie Montgomery's 2016 Records from a Vanishing City enthralls, Barber’s Violin Concerto is exquisite; Schumann's Rhenish disappoints.
In New York, Gemma New makes “Mostly Mozart” mostly magic
Gemma New makes a positive impressive in the Mostly Mozart Festival Orchestra's lively rendition of the “Prague” Symphony.
Langrée pairs ambitious premiere with uneven Mass at Mostly Mozart
The world premiere of Iraqi-American composer Amir ElSaffar's ambitious Dhikra (Remembrance) very nearly succeeds in its ambitions.
Mostly Mozart Festival Orchestra offers a Requiem for itself
Amid an uncertain future for the Mostly Mozart Festival, conductor Louis Langrée led a fiery program that overflowed with rage rather than grief.
Mozart and Brahms shine in a bold, romantic glow
Romanticized but highly enjoyable Mozart performances, monumental Brahms, but more gusto than tenderness characterized the program.
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