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Performer: Myung-whun Chung

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AmsterdamMahler's Ninth Symphony

Mahler's Ninth Symphony
Mahler: Symphony no. 9 in D major
Royal Concertgebouw Orchestra; Myung-whun Chung

GenevaMahler's Ninth Symphony

Mahler's Ninth Symphony
Mahler: Symphony no. 9 in D major
Royal Concertgebouw Orchestra; Myung-whun Chung

HamburgMahler's Ninth Symphony

Mahler's Ninth Symphony
Mahler: Symphony no. 9 in D major
Royal Concertgebouw Orchestra; Myung-whun Chung

AmsterdamMahler Festival: Royal Concertgebouw Orchestra

© Simon von Boxtel
Mahler: Symphony no. 3 in D minor
Royal Concertgebouw Orchestra; Myung-whun Chung; Gerhild Romberger; Nationaal Kinderkoor; Netherlands Radio Choir (Groot Omroepkoor)

AmsterdamMahler Festival: Royal Concertgebouw Orchestra

© Simon van Boxtel
Mahler, van Veldhuizen
Royal Concertgebouw Orchestra; Myung-whun Chung
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Prom 63: Explosive Rachmaninov from Yuja Wang

Yuja Wang © BBC | Chris Chistodoulou
Outstanding playing from soloist and Staatskapelle Dresden makes this a Prom to remember.
*****
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Mistrust, rage and colonialism: Otello at the Staatsoper

Aleksandrs Antonenko (Otello) © Wiener Staatsoper GmbH | Michael Pöhn
During the “Salce” and “Ave Maria” in Act Four Bezsmertna turned this to magical effect, thinning out and floating her shimmering soprano into gossamer threads.
***11
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A psychological Macbeth at La Fenice

Vittoria Yeo (Lady Macbeth) and Luca Salsi (Macbeth) © Michele Crosera
This is one of Michieletto's simplest stagings yet, the imagery used to a minimum to allow for focus on the psychological core.
*****
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Legendary Chung siblings give breathtaking Brahms in Tokyo

Kyung Wha Chung © ICA Artists | Kang Taewook
Kyung Wha Chung exceeds her already-legendary reputation, assisted by her brother, Myung-whun Chung, and the Tokyo Philharmonic. 
****1
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No protests required: Deborah Warner's Fidelio returns to La Scala

Stuart Skelton (Florestan) and Ricarda Merbeth (Leonore) © Brescia & Amisano | Teatro alla Scala
Chung's mastery of orchestral colour and texture came into its own, the brooding introduction to Act 2 making for a harrowingly apocalyptic representation of tyranny.
****1
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