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BerlinLearNew production
Reimann: Lear
Nicholas Carter; Barrie Kosky; Komische Oper Berlin; Rebecca Ringst; Klaus Bruns; Olaf Freese; Orchester der Komischen Oper Berlin
StuttgartNicholas Carter / Kian Soltani
Chin, Elgar, Strauss R.
Staatsorchester Stuttgart; Nicholas Carter; Kian Soltani
StuttgartLady Macbeth of the Mtsensk DistrictNew production
Shostakovich: Lady Macbeth of the Mtsensk District
Nicholas Carter; Ulrike Schwab; Staatsoper Stuttgart; Omer Ein Zvi; Pia Dederichs; Lena Schmid; Valentin Däumler
StuttgartLa bohème
Puccini: La bohème
Nicholas Carter; Andrea Moses; Staatsoper Stuttgart; Stefan Strumbel; Anna Eiermann; Reinhard Traub; Staatsorchester Stuttgart
StuttgartDer fliegende Holländer (The Flying Dutchman)
Wagner: Der fliegende Holländer (The Flying Dutchman)
Nicholas Carter; Calixto Bieito; Staatsoper Stuttgart; Susanne Gschwender; Anna Eiermann; Reinhard Traub; Staatsorchester Stuttgart
Latest reviewsSee more...
Billy Budd makes a welcome return to Glyndebourne
Michael Grandage’s production shows no signs of age, with fine central performances from Thomas Mole, Allan Clayton and Sam Carl, and fine playing from the London Philharmonic Orchestra.
Wagner and Strauss from Sarah Wegener and the BBC Philharmonic
Celtic legends and dramatic landscapes fill Manchester’s Bridgewater Hall in an evening of emotional and reflective music under conductor Nicholas Carter.
Willis-Sørensen headlines a successful Arabella revival at the Met
The Metropolitan Opera revives Otto Schenk’s venerable staging of Strauss’s intimate melodrama.
All at sea: Herzog's nautical Pearl Fishers at Opernhaus Zürich
The Opernhaus Zürich revives a 2011 production of Bizet’s second most famous opera, with Javier Camarena as Nadir.
Allan Clayton dazzles in Brett Dean’s Hamlet at the Met
Brett Dean’s Hamlet at the Met is a worthy addition to the operatic canon, and the production is a treat.
Afternoon delight? Sydney Symphony plays Beethoven and Brahms
An afternoon programme by the Sydney Symphony Orchestra featuring Beethoven's Triple Concerto and Brahms' Third and shorter pieces by Schreker and Harry Sdraulig offers pleasant but somewhat underwhelming impressions.