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Performer: Norwegian National Opera

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OsloMadama Butterfly

Puccini: Madama Butterfly
Dalia Stasevska; Stephen Langridge; Norwegian National Opera; Alison Chitty; Elisabeth Teige; Henrik Engelsviken

OsloEugene Onegin

Svetlana Aksenova (Tatyana) and Audun Iversen (Onegin) © Erik Berg
Tchaikovsky: Eugene Onegin
Lothar Koenigs; Christof Loy; Norwegian National Opera; Raimund Orfeo Voigt; Herbert Murauer; Audun Iversen; Svetlana Aksenova

OsloDie Meistersinger von Nürnberg

Wagner: Die Meistersinger von Nürnberg
Erik Nielsen; Richard Jones; Norwegian National Opera; Paul Steinberg; Buki Shiff; James Rutherford; Jens-Erik Aasbø

OsloCarmen

Bizet: Carmen
Ariane Matiakh; Calixto Bieito; Norwegian National Opera; Alfons Flores; Mercè Paloma; Ingeborg Gillebo; Alessandra Volpe
Latest reviewsSee more...

Alone and in love: Christoph Loy’s compelling new Onegin in Oslo

Svetlana Aksenova (Tatyana) and Audun Iversen (Onegin) © Erik Berg
Chrisoph Loy's new Oslo production of Eugene Onegin only somewhat succeeds in its desire to create a meditation on loneliness, but superb musical performances still make it an utterly compelling piece of music theatre.
****1
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Too many doors: Don Giovanni in Oslo

Jakob Bloch Jespersen (Leporello) and Johannes Weisser (Don Giovanni) © Erik Berg
Despite some dramatic frustrations, at least in Oslo, Jones' production is saved by some truly outstanding singing.
***11
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Maybe it’s make-believe: a curious Norma in Oslo

Hrachuhí Bassénz (Norma) © Erik Berg
The first staging of Bellini's Norma in Oslo in over a century is unfortunately hampered by an irritating production, yet some glorious singing does much to rescue the show.
**111
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Into the abyss: a harrowing Wozzeck in Oslo

Asmik Grigorian (Marie) and Audun Iversen (Wozzeck) © Erik Berg
Christoph Loy's Oslo production of Wozzeck is a dramatic triumph, with gripping performances from a cast led by Audun Iversen's desperate title character.
*****
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An underwhelming Barber in Oslo

Joshua Hopkins (Figaro) © Joerg Wiesner
François de Carpentries' Oslo production of The Barber of Seville was both unfunny and underwhelming. 
**111
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