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Performer: Orchestre Philharmonique de Radio France

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ParisBeethoven’s “Emperor” Concerto

Beethoven: Piano Concerto no. 5 in E flat major "Emperor", Op.73
Orchestre Philharmonique de Radio France; Philippe Béziat; Nicolas Baldeyrou; Eric Levionnois; Bertrand Chamayou

ParisBeethoven / Henry: The Tenth Symphony

Henry: La Dixième Symphonie - Hommage à Beethoven
Orchestre Philharmonique de Radio France; Pascal Rophé; Bruno Mantovani; Marzena Diakun; Richard Arthur Wilberforce; Benoît Rameau

ParisMilhaud, Honegger

Honegger, Milhaud, Poulenc
Orchestre Philharmonique de Radio France; Mikko Franck; Magali Mosnier; Catherine Cournot
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French programme with Franck and Gabetta at the Elbphilharmonie

On tour with Orchestre Philharmonique de Radio France, Mikko Franck and Sol Gabetta present an odd programme of mixed fare.
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Chung and Alagna outstanding in Otello at Orange

From Otello's opening thunderstorm, Myung Whun Chung and the Orchestre Philharmonique de France leave us gasping, while Alagna turns in a magnetic performance in the title role.
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Esa-Pekka Salonen s'illustre dans les Gurrelieder

Les occasions d’entendre les Gurrelieder d’Arnold Schönberg ne sont pas si fréquentes.
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Dudamel à Notre-Dame

"If I were threatened by the destruction of my entire works save one, I should crave mercy for the Messe des morts." Berlioz’s fondness for his own Requiem has never been a great secret. No one else could have fostered such a project, so excessive in every way.
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French music with the Orchestre Philharmonique de Radio France

Last Friday, the Orchestre Philharmonique de Radio France and its musical director Myung-Whun Chung offered a wonderful panorama of French music: Claude Debussy’s impressionism, Olivier Messiaen’s abstraction and Camille Saint-Saëns’ romanticism.
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Prom 6. Orchestre Philharmonique de Radio France/ Capuçon/ Capuçon/ Chung

Who has the power, the authority to fix the moment when a major public event can start? In broadcast events, such as the Proms, where all of the concerts are broadcast on Radio 3 and many are televised, the bigger, virtual audience puts the media in the driving seat. The radio or TV producer holds sway - up to the moment when the conductor steps out into the hall.