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Speechless theology: Moses und Aron at Teatro Real
Romeo Castellucci's captivating Moses und Aron was a major success, a bold reminder of the boundless power of opera.
Nobody expects Wagnerian comedy: Das Liebesverbot
Kasper Holten's new production fails to convince about the alleged virtues of Wagner's outcast comic opera.
Mariella Devia, Queen of Spiders
In the opening night of Teatro Real's new season, Mariella Devia proved why she is one of the best bel canto singers of the last decades.
A shadow of Fidelio in Madrid
Adrianne Pieczonka and Anett Fritsch shone in an otherwise disappointing opening night, impaired by poor conducting and unimpressive staging.
A lacklustre La traviata at Teatro Real
Routine took hold of the Teatro Real in its production of La traviata, despite baritone Juan Jesús Rodríguez's best efforts.
