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LondonStravinsky and Prokofiev with the Oslo Philharmonic

Torvund, Stravinsky, Prokofiev
Oslo Philharmonic; Mirga Gražinytė-Tyla; Patricia Kopatchinskaja
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Virtuosity and volume: Oslo Phil plays Tchaikovsky and Shostakovich
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Batiashvili’s account of the Tchaikovsky concerto confirms why she remains one of the most compelling violinists of her generation.
Batiashvili, Mäkelä and the Oslo Philharmonic in Hamburg
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A last-minute programme change doubles Batiashvili’s Tchaikovsky at the Elbphilharmonie, but repetition is transformed into fresh revelation.
A high Klaus operation: Mäkelä and the Oslo Philharmonic
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In their home concert hall under their Chief Conductor, the Oslo Philharmonic produce a high quality performance of Tchaikovsky's Fourth Symphony.
Superstar performances from Yuja Wang and Klaus Mäkelä in Edinburgh
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Yuja Wang plays both Ravel piano concertos with the Oslo Philharmonic Orchestra at the Edinburgh International Festival.
Mäkelä leads his Oslo troops in a gripping Shostakovich 5
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Leif Ove Andsnes joins the Oslo Philharmonic in dynamic Rachmaninov before high-energy Shostakovich closes the season.
With a fine Oslo Philharmonic, Yuja Wang wows the Proms
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Yuja Wang lives up to her superstar status in Liszt and a couple of operatic encores, while the Oslo Philharmonic show icy clarity in Sibelius and orchestral colour aplenty in Strauss.
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OsloGustav Mahler, Symphony no. 1, Klaus Mäkela, Oslo Philharmonic

Mahler: Symphony no. 1 in D major "Titan"
Oslo Philharmonic; Klaus Mäkelä
OsloHerbert Blomstedt / Oslo Philharmonic

Beethoven: Symphony no. 5 in C minor, Op.67
Oslo Philharmonic; Herbert Blomstedt
Latest articles
Oiling the machine: Klaus Mäkelä on taking up posts in Oslo and Paris
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The new Chief Conductor of the Oslo Philharmonic reflects on the conductor’s toolbox, programme building and his first season in Oslo.
From Riga to Munich: Mariss Jansons on his musical journey
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The Chief Conductor of the Bavarian Radio Symphony Orchestra looks back to his childhood in Latvia, his time as Mravinsky assistant in Leningrad and considers his approach to music-making.
