Performer: Peter Whelan

Tom Creed’s witty production at Lismore Castle delivers strong singing, sharp comedy and lively orchestral playing, even if the opera’s darker supernatural edges are somewhat diminished.

Peter Whelan drew rare urgency and transparency from Brahms, while Carlos Ferreira’s lyrical finesse elevated Weber beyond expectation.

Ruth Knight untangles Handel's Rodelinda, directing a new staging at Garsington which features a feast of fine singing. 

Venetian Baroque opera once had a raison d'être of spectacular and complex stagings, but Daisy Evans makes us see that other ways are possible.

Polly Graham's take on Mozart's Così fan tutte is full of humour and political commentary, while the singing is a joy to hear.