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Performer: Piero Pretti

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New York CityMadama Butterfly

Hui He (Cio-Cio-San) © Richard Termine | Met Opera
Puccini: Madama Butterfly
Pier Giorgio Morandi; Anthony Minghella; Metropolitan Opera; Michael Levine; Han Feng; Hui He; Piero Pretti

ChicagoMuti conducts Cavalleria Rusticana

Mascagni: Cavalleria rusticana
Riccardo Muti; Anita Rachvelishvili; Piero Pretti; Luca Salsi; Chicago Symphony Orchestra

MunichLucia di Lammermoor

Lucia di Lammermoor
Donizetti: Lucia di Lammermoor
Antonino Fogliani; Barbara Wysocka; Bavarian State Opera; Barbara Hanicka; Julia Kornacka; Vladislav Sulimsky; Lisette Oropesa

VeniceDon Carlo

Verdi: Don Carlo(s)
Myung-whun Chung; Robert Carsen; Teatro La Fenice; Alex Esposito; Piero Pretti; Julian Kim; Maria Agresta

RomeLuisa Miller

Verdi: Luisa Miller
Roberto Abbado; Damiano Michieletto; Teatro dell'Opera di Roma; Paolo Fantin; Carla Teti; Amartuvshin Enkhbat; Roberta Mantegna
Latest reviewsSee more...

A good Madama Butterfly from Hui He at The Met

Hui He (Cio-Cio-San) © Richard Termine | Met Opera
Anthony Minghella's production remains a feast for the eyes, but this performance failed to gel into a dramatic whole. 
***11
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Sonya Yoncheva triumphs in Il pirata at La Scala

Sonya Yoncheva (Imogene) © Brescia & Amisano | Teatro alla Scala
Yoncheva passed the test in style, providing a scintillating delivery that drew feverish approval from the public.
****1
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Opulent Turin Macbeth arrives at EIF

Dalibor Jenis (Macbeth) © Franco Lannino
Verdi’s Macbeth, performed at the first Edinburgh International Festival returns for its 70th anniversary in Emma Dante’s sumptuous new production from the Teatro Regino Torino under Gianandrea Noseda.
***11
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Macbeth in the deep south

Anna Pirozzi (Lady Macbeth) and Dalibor Jenis (Macbeth) © Teatro Regio Torino | Ramella & Giannese
Director Emma Dante revives Verdi's Macbeth for Turin's Teatro Regio, conducted by Gianandrea Noseda.
****1
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Tragedy comes full circle in San Carlo's Rigoletto

George Petean (Rigoletto) and Rosa Feola (Gilda) © Teatro di San Carlo | Luciano Romano
In this staging of Verdi’s  masterpiece, the director reminds us that the ominous epilogue springs from its short prelude.
****1
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