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PragueLa traviata
Verdi: La traviata
Adolf Melichar; Arnaud Bernard; Prague National Theatre Opera; Alessandro Camera; Maria Carla Ricotti; Patrick Méeüs; Prague State Opera Orchestra
PragueDie Zauberflöte (The Magic Flute)
Mozart: Die Zauberflöte (The Magic Flute)
Jaroslav Kyzlink; Vladimír Morávek; Prague National Theatre Opera; Zdeněk Klauda; Jan Bubák; Miroslav Huptych; Tomáš Kypta
PragueAida
Verdi: Aida
Adolf Melichar; Petar Selem; Prague National Theatre Opera; Hafiz Abdel Farghali; Josef Jelínek; Prague State Opera Orchestra; Prague State Opera Chorus
PragueThe Bartered Bride
Smetana: The Bartered Bride
Jaroslav Kyzlink; Alice Nellis; Prague National Theatre Opera; David Švec; Matěj Cibulka; Kateřina Štefková
PragueMacbeth
Verdi: Macbeth
Adolf Melichar; Martin Čičvák; Prague National Theatre Opera; Hans Hoffer; Marija Havran; Prague State Opera Orchestra; Prague State Opera Chorus
PragueRigoletto
Verdi: Rigoletto
Vincenzo Milletarì; Barbora Horáková; Prague National Theatre Opera; Richard Hein; Sophia Schneider; Annemarie Bulla; Jan Dörner
Latest reviewsSee more...
Worthy revival of Kleider machen Leute never finds its footing
Choreography isn't the only thing lacking in Alexander Zemlinsky's comic gem Kleider machen Leute.
A raucous Rosenkavalier from Prague State Opera
A strong international cast and fine musicianship from the orchestra carries on Strauss's legacy with a smart, antic romp.
Bieito's parched aesthetic strips the emotion from Kátya Kabanová
The Spanish director's emotionally-sapped staging for the Prague National Theatre travels to Brno for the Janáček Festival.
A happy homecoming for a neglected Czech legend
The National Theater revives Jaromír Weinberger opera Schwanda the Bagpiper with energy, affection and overly active imagination.
Ball im Savoy: a spirited tribute to a forgotten composer in Prague
“An eye for an eye, a kiss for a kiss,” declares Madeleine in the knock-down battle of the sexes that is Paul Abraham's rarely staged operetta.
In Prague, Calixto Bieito delivers a hollow Kátya Kabanová
Powerful visuals can't compensate for an otherwise empty production of Janáček’s gripping tragedy.