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Performer: Raffaele Pe

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AlresfordAgrippina

Anna Bonitatibus (Agrippina) © Robert Workman
Handel: Agrippina
Robert Howarth; Walter Sutcliffe; The Grange Festival; Jon Bausor; Anna Bonitatibus; Raffaele Pe; Stefanie True

VersaillesMonteverdi - Vespro della Beata Vergine

Monteverdi - Vespro della Beata Vergine
Monteverdi: Vespro della Beata Vergine "Vespers of the Blessed Virgin" (1610)
English Baroque Soloists; Sir John Eliot Gardiner; Monteverdi Choir; Les Pages du Centre de Musique Baroque de Versailles; Silvia Frigato; Emanuela Galli
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Porpora's Orfeo: a plunge into the Neapolitan golden century

Anna Maria Sarra (Euridice) and Raffaele Pe (Orfeo) © Clarissa Lapolla
Nicola Porpora's pasticcio was one of the highlights of the 45th edition of the Festival della Valle d'Itria in Martina Franca.
****1
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Agrippina triumphs at The Grange Festival

Anna Bonitatibus (Agrippina) © Robert Workman
A resounding success at its 1709 première, Handel’s Agrippina gripped the ear and dazzled the eye at the Grange Festival in a hugely entertaining and powerful performance.
*****
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Orlando furioso as Baroque extravaganza in Venice

Sonia Prina (Orlando) © Festival della Valle d’Itria di Martina Franca
Ceresa’s flamboyant production from the Festival della Valle d’Itria is revived in Venice with a strong cast under the baton of Diego Fasolis.
****1
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Vick finds modern relevance in Cavalli's Hipermestra

Emőke Baráth (Hipermestra) © Tristram Kenton
The advantage of staging a rare opera such as Cavalli's Hipermestra at Glyndebourne this year is that the director can work with a blank canvas without audience’s preconceptions.
****1
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Dido left stranded by the director in Florence

Metastasio's Didone abbandonata has been set to music at least sixty times. Florence revives a version by Leonardo Vinci composed in 1726.
**111
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Writing on walls: Handel’s Belshazzar in Oslo

Ottavio Dantone, the Accademia Bizantina and the Norwegian Soloists' Choir gave a strong performance of Handel's oratorio Belshazzar.
****1
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