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Performer: Simone Damberg Wurtz

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Rambert at Stone Nest in Jill Johnson's Analogue: mind blowing

Rambert in Jill Johnson's Analogue © Camilla Greenwell
A performance that could blow the roof off any establishment. Rambert's dancers mesmerise.
*****
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Peaky Blinders is unequivocally satisfying

Rambert in Peaky Blinders: The Redemption of Thomas Shelby © Johan Persson
Peaky Blinders turned into dance theatre makes for powerful and spectacular staging, both visually and aurally and is unlikely to inspire an insipid response
****1
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A diverse and entertaining triple bill from Rambert

Rambert presents an excellent cohort of expressive dancers, but the programme lacked an overall wow factor.
***11
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A double helping of digital dance from Rambert

The world premiere of Eye Candy by Imre and Marne van Opstal, best known for their work at Nederlands Dans Theater, together with a livestream premiere of Marion Motin’s Rouge.  
***11
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Behind closed doors: Rambert premieres Jo Strømgren's Rooms

Rambert excels in this fascinating live performance of the unexpected and absurd.
****1
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Rouge blows the cobwebs away in Rambert's triple bill

A new manifesto for Rambert under new management of Benoit Swan Pouffer. 
***11
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